49 pages 1 hour read

The Colored Museum

Fiction | Play | Adult | Published in 1987

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Sketch 10Chapter Summaries & Analyses

Sketch 10 Summary: “Permutations”

The lights come up on Normal Jean Reynolds, a Southern/country girl wearing a simple, faded dress and plaited hair. Her dress covers a large oval object. She begins by saying that her mother told her she was created as a result of God’s boredom. She goes on to say that her mother doesn’t say much now, ever since Normal Jean laid an egg. She lifts her dress to reveal a large, white egg laying between her legs.

She tells us that it started when she had sexual relations with the garbage man. She liked him because he “stank of all the good things that folks never should have thrown away; cantaloupe juice, ripe strawberries and juicy-juicy grapes” (47). She compares him to a fruit salad except that she kept the seeds. Once her mother discovered she was pregnant, she locked Normal Jean away out of shame. Normal cried at first but eventually got used to being locked up.

One day she began bleeding a lot, then screamed in pain, before eventually passing out. When she came to, she found the big white egg between her legs and realized that she had given birth to it. Her mother tried to take the egg from her, but Normal Jean hugged it and held it. Several days later, in the bathtub, she heard a heartbeat coming from within the egg. She says she knows she is special as she is the only person to have ever laid an egg. She explains how she cares for the egg by counting to it and singing to it.

She suddenly stops and puts her ear to the egg. She hears not one but two heartbeats inside the egg, then three, four, five, six—more than she can count.

She claims that any day the egg is going to crack open and bring her babies out in the world. She says they will be all kinds of shades and that she knows they will be special because other babies do not come from white eggs: “Yes, any day now this shell’s gonna crack and they will fly...fly...fly (49). She stops on the word “fly.” The lights go to blackout.

Sketch 10 Analysis

This exhibit is perhaps the least straightforward of all the exhibits in terms of satirical meaning. Wolfe’s work takes on an existential twist, like one, might see from Samuel Beckett or Franz Kafka. Like Kafka’s Gregor who experiences a metamorphosis, so the offspring of Normal Jean experiences a supernatural transformation.

It is worth exploring, however, that Normal Jean is shunned by her mother for getting pregnant after Normal Jean’s encounter with the garbage man. The mother’s behavior could be associated with Mama’s preoccupation with middle-class behavior in “The Last Mama-on-the-Couch Play.”

Furthermore, this rejection by the mother symbolizes the alienation of the African American woman from her maternal homeland and previous way of life. Normal Jean’s shameful position is symbolic of the similarly outcast position of the slaves in North America, giving birth to a new kind of offspring.

Ironically, this sketch is still optimistic and hopeful, as a traumatic and isolated birthing process produces a bloody white egg that goes on to give life to a whole number of people. Perhaps this is Wolfe’s contradictory metaphor for the white slave ship from which a multitude of new Black identities will be born. Regardless, contradiction seems an integral part of the mercurial theme in this sketch. Like the whiteness of the egg, the sketch itself is a blank canvas onto which the audience members can project their own meanings.

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